The Asian Film Awards will significantly scale back their 2026 edition, suspending competitive categories and eliminating the traditional red carpet, organizers said Friday — a move intended to reflect the somber public mood in the host city of Hong Kong following last year’s devastating residential fire.
The Asian Film Awards Academy said the 19th edition of the pan-regional honors, set for March this year in Hong Kong, will pivot to a stripped-down program centered on a small slate of special awards presented “in a dignified and minimalist manner,” rather than the usual contest of best film, director, acting prizes and crafts categories.
The decision, the group explained, was made after taking into account how the disaster has continued to weigh on the city and the regional film community. In addition, organizers referenced the Hong Kong government’s own decision to postpone official celebrations and to recommend a low-profile tone for public events in the near term.
“This is a well-considered decision,” said Asian Film Awards Academy chairman Wilfred Wong. “In the current environment, adopting a solemn and minimalist format for the awards ceremony is the most appropriate arrangement. We have chosen to honor filmmakers in a restrained manner as a mark of respect to all sectors of the community.”
The scaled-back ceremony follows a year in which Hong Kong was left reeling from its deadliest fire in decades — a blaze that swept through a residential complex, claiming more than 150 lives and displacing thousands. The tragedy prompted citywide mourning and heightened sensitivity around large public celebrations, while officials urged caution as communities continued to process the loss and its aftermath. At the same time, authorities have moved quickly to discourage civic activism surrounding the disaster, warning against public organizing and pushing back on calls for independent investigations or official accountability.
Within that context, organizers say the 2026 edition is intended less as a gala than as a respectful acknowledgment of the region’s filmmaking achievements. The Academy emphasized that while the ceremony’s trappings will be reduced, its mission of supporting Asian cinema — through screenings, educational programs and sustained industry outreach — remains unchanged.
Launched in 2007, the Asian Film Awards have grown into one of the region’s leading cinema honors, spotlighting films and talent from across Asia — including Japan, Korea, India, mainland China, Hong Kong and Southeast Asia — while often offering an early snapshot of trends and rising voices. The event has also long functioned as an informal gathering point for the region’s industry ahead of Hong Kong’s Filmart content market, usually held the week following the awards show.
At last year’s ceremony, held at Hong Kong’s Xiqu Centre, Payal Kapadia’s All We Imagine as Light took best picture, with Japan’s Yoshida Daihachi winning best director for Teki Cometh and Hong Kong star Sean Lau earning best actor for Papa.
For 2026, the Academy says it will instead present a select number of honors to recognize outstanding contributions to the industry — awarded, in Wong’s words, “in a restrained manner.” Further details on the recipients and program format will be announced closer to the event, organizers said.
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