March 12, 2026 12:05 pm EDT

The 2026 Academy Awards are typically considered the top honour for any film star, as the moment they accept the coveted honour becomes etched in movie history.

However, it seems that the so-called experts who choose the winners of the famous statue may be less equipped than once though, as one voter has confessed they haven’t watched half of the films nominated for this year’s ceremony.

The star-studded ceremony is set to take place this Sunday, with One Battle After Another, Hamnet and Sinners among the favourites to win big.

Typically the winners of each Oscar are chosen by members of The Academy, an organisation of over 8,000 film industry professionals, who individually choose which films and stars they believe should receive an award.

New guidelines were also introduced this year for members, where they had to attest that they have seen the films that they are voting on, either in a cinema, through the Academy’s digital screening room, or through some other means.

However, one voter has anonymously admitted they ‘didn’t care’ to watch the full list of films that feature on this year’s Oscars shortlist, and said those that they did watch they found to be ‘mediocre.’

The Oscars have come under fire after a voter confessed they’ve only watched half of the films nominated this year, despite strict new guidelines (2025 winner Mikey Madison pictured)

This further fuels complaints from film fans that the Oscars have become out-of-touch, with accusations some voters simply ‘coattail’ by picking films that have already won big this awards season.

The awards have also faced claims the ceremony has become ‘woke’ due to a focus on smaller movies over box office hits.

In an email published by Deadline, the voter said: ‘I thought you might be interested to hear a take from an Academy member about this year’s rules. 

‘I haven’t seen even half of the nominated films, nor do I care to, because my time is far too valuable to spend watching movies I know I’d never vote for (much less be able to sit through). 

‘I found most of the films I did see to be mediocre, and nothing that I nominated made the final cut. Therefore, since I don’t want to lie, I decided I simply would not vote at all this year. Yes, I’d like to vote for K-Pop Demon Hunters, but not at the price of watching four other movies I know won’t be as good. 

‘But really, the Oscars have become pretty irrelevant. Anora? CODA? Everything Everywhere All At Once? vs The Godfather, Lawrence of Arabia, Patton? Which three movies will people still be watching five years from now? 

‘It’s all about the film, not the award. Rather than watch the Awards, I’ll probably watch Singin’ In The Rain or North By Northwest or The Searchers – REAL best pictures which weren’t even nominated.’

Following last year’s ceremony, the Academy announced a string of new guidelines for voters, including that they would have to attest to having seen all of the films under Oscars consideration.

The rules, which were first announced back in April, combined digital tracking through the Academy Screening Room with member-reported viewings of films that make up the shortlist.

Across all 24 competitive categories, voters were told that the online ballots could only be access if members themselves verified they’d seen all of the films nominated in a given category. 

Another new rule regarding Generative Artificial Intelligence (AI) and other digital tools states that ‘the tools neither help nor harm the chances of achieving a nomination.’ 

It comes following controversy around last year’s nominee The Brutalist, which used AI to enhance the Hungarian dialogue of stars Adrien Brody and Felicity Jones. Adrien went on to win his second Best Actor award for the performance.

New rules stated that voters had to attest they’d seen all of the films on this year’s shortlist, following backlash that the awards had become ‘out-of-touch’

‘The academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award,’ the Academy said in a statement.

The Oscars have increasingly come under fire in recent years for failing to recognise widely-watched films, despite ratings for the ceremony continuing to dwindle.

It’s thought that the Academy’s ‘representation and inclusion standards’, first introduced at last year’s ceremony, have had an impact as well.

The academy now requires that for films to be considered for best picture, they have to meet two out of four possible categories, which focus on underrepresented groups, including racial and ethnic groups, women, people with disabilities and the LGBTQ+ community.

This has led to claims that some voters have refused to vote, with one expert sharing last year it could spell ‘the end’ of the awards show.

The Academy passed its Aperture 2025 initiative in 2020, five years after the #OscarsSoWhite controversy in order to promote more diversity in the industry, but the move has been under fire ever since.

The initiative was spearheaded by black filmmaker Ava DuVernay and developed by the academy to set criteria – which included diversifying nearly every aspect of a movie, from cast and crew to production, marketing, financing, distribution and even internships by 30 percent.

Last year’s ceremony was also blasted by viewers for its ‘woke’ tones, with jokes delivered with far less conviction and fanfare than past spectacles and drawing little response from critics or fans.

Host Conan O’Brien noticeably steered clear of politics during his opening monologue but couldn’t resist a jab at Trump later in the evening.

He told the audience: ‘Anora is having a good night. Two wins already. I guess Americans are excited to see somebody finally stand up to a powerful Russian.’

‘That was the most boring Oscars I have ever watched,’ one critic said in a sentiment echoed repeatedly on X.

‘The Oscars are the most boring award show. Only time they were lit was when Will Smith slapped Chris Rock,’ another said.

‘Same old boring Oscars. Too long(almost four hours). Too political(Middle East banter and Putin bulls**t). Too many phony smiles from the losers. Too many phony Hollywood dorks who voted for Harris. BTW, funny how these actors can memorize movie scripts but need notes on stage.’

Oscar 2026 nominations in full

Best Picture

Bugonia

F1

Frankenstein

Hamnet

Marty Supreme

One Battle After Another

The Secret Agent

Sentimental Value

Sinners

Train Dreams

Sinners earned most Oscar nominations ever with 16 including Best Picture

 

Best Actor

Timothee Chalamet – Marty Supreme

Leonardo DiCaprio – One Battle After Another

Ethan Hawke – Blue Moon

Michael B. Jordan – Sinners

Wagner Moura – The Secret Agent

Timothee Chalamet was recognized for his work in Marty Supreme

 

Best Actress

Jessie Buckley – Hamnet

Rose Byrne – If I Had Legs I’d Kick You

Kate Hudson – Song Sung Blue

Renate Reinsve – Sentimental Value

Emma Stone – Bugonia

 

Best Supporting Actor

Benicio del Toro – One Battle After Another

Jacob Elordi – Frankenstein

Delroy Lindo – Sinners

Sean Penn – One Battle After Another

Stellan Skarsgard – Sentimental Value

 

Best Supporting Actress

Elle Fanning – Sentimental Value

Inga Ibsdotter Lilleaas – Sentimental Value

Amy Madigan – Weapons

Wunmi Mosaku – Sinners

Teyana Taylor – One Battle After Another

Amy Madigan was put forward in the Best Supporting Actress category for Weapons

 

Best Director

Chloe Zhao – Hamnet

Josh Safdie – Marty Supreme

Paul Thomas Anderson – One Battle After Another

Joachim Trier – Sentimental Value

Ryan Coogler – Sinners

 

Best Original Screenplay

Robert Kaplow – Blue Moon

Jafar Panahi – It Was Just an Accident

Ronald Bronstein and Josh Safdie – Marty Supreme

Eskil Vogt and Joachim Trier – Sentimental Value

Ryan Coogler – Sinners

Ryan Coogler was nominated in the Best Original Screenplay field for Sinners

 

Best Adapted Screenplay

Will Tracy – Bugonia

Guillermo Del Toro – Frankenstein

Chloe Zhao and Maggie O’Farrell – Hamnet

Paul Thomas Anderson  – One Battle After Another

Clint Bentley and Greg Kwedar – Train Dreams

 

Best Animated Feature Film

Arco

Elio

KPop Demon Hunters

Little Amelie or the Character of Rain

Zootopia 2

 

Best International Feature Film

The Secret Agent (Brazil)

It Was Just an Accident (France)

Sentimental Value (Norway)

Sirat (Spain)

The Voice of Hind Rajab (Tunisia)

Brazilian film The Secret Agent starring Wagner Moura is nominated for Best International Feature Film 

 

Best Casting

Nina Gold – Hamnet

Jennifer Venditti – Marty Supreme

Cassandra Kulukundis – One Battle After Another

Gabriel Domingues – The Secret Agent

Francine Maisler – Sinners

Best Cinematography

Dan Laustsen – Frankenstein

Darius Khondji – Marty Supreme

Michael Bauman – One Battle After Another

Autumn Durald Arkapaw – Sinners

Adolpho Veloso – Train Dreams

One Battle After Another is up for Best Cinematography

 

Best Production Design

Frankenstein

Hamnet

Marty Supreme

One Battle After Another

Sinners

 

Best Editing

F1

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

 

Best Original Score

Bugonia

Frankenstein

Hamnet

One Battle After Another

Sinners

 

Best Original Song

Dear Me – Diane Warren: Relentless

Golden – KPop Demon Hunters

I Lied to You – Sinners

Sweet Dreams of Joy – Viva Verdi!

Train Dreams – Train Dreams

Global hit KPop Demon Hunters received a Best Original Song nod for Golden

 

Best Sound

F1

Frankenstein

One Battle After Another

Sinners

Sirat

 

Best Visual Effects

Avatar: Fire and Ash

F1

Jurassic World: Rebirth

The Lost Bus

Sinners

Avatar: Fire and Ash earned a Best Visual Effects nomination

 

Best Makeup and Hairstyling

Frankenstein

Kokuho

Sinners

The Smashing Machine

The Ugly Stepsister

 

Best Costume Design

Avatar: Fire and Ash

Frankenstein

Hamnet

Marty Supreme

Sinners

Frankenstein earned a Best Costume Design nod

 

Best Animated Short Film

Butterfly

Forevergreen

The Girl Who Cried Pearls

Retirement Plan

The Three Sisters

 

Best Live-Action Short Film

Butcher’s Stain

A Friend of Dorothy

Jane Austen’s Period Drama

The Singers

Two People Exchanging Saliva

 

Best Documentary Feature Film

The Alabama Solution

Come See Me in the Good Light

Cutting Through Rocks

Mr Nobody Against Putin

The Perfect Neighbor

Mr Nobody Against Putin is up for best Documentary Feature Film

 

Best Documentary Short

All the Empty Rooms

Armed Only with a Camera: The Life and Death of Brent Renaud

Children No More: Were and Are Gone

The Devil Is Busy

 

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